Cinematic Environment Design: Unreal Engine 5 (Real‑Time)
We built a production‑ready island cove shipwreck, dock, and tropical shoreline, then lit and filmed it in multiple moods (day, dusk, storm). The scene runs in real time in UE5, with modeling/finishing in Blender.
Highlights
World‑building: terrain sculpting, set‑dressing, foliage systems, ocean/water materials, and custom shaders.
Lighting & atmospherics: time‑of‑day variations, volumetric fog, post‑processing and grading to support story beats.
Cinematics: Sequencer camera paths, smooth fly‑throughs, and hero frames suitable for trailers, cutscenes, or ads.
Optimization: clean asset prep, instancing/LODs, and efficient materials for high‑performance playback.
Where this helps clients
Game studios: immersive level kits and key shots for pitches/vertical slices.
Film/TV & virtual production: ready‑to‑shoot real‑time backgrounds.
Advertising/brand films: cinematic worlds to showcase products or stories.
Archviz/experiential: mood‑driven environments for presentations and events.
Result
A visually rich, adaptable environment that blends technical rigor with cinematic storytelling an approach I can tailor to your product, IP, or campaign.
Tools: Unreal Engine 5, Blender
Cinematic Environment Design: Unreal Engine 5 (Real‑Time)
We built a production‑ready island cove shipwreck, dock, and tropical shoreline, then lit and filmed it in multiple moods (day, dusk, storm). The scene runs in real time in UE5, with modeling/finishing in Blender.
Highlights
World‑building: terrain sculpting, set‑dressing, foliage systems, ocean/water materials, and custom shaders.
Lighting & atmospherics: time‑of‑day variations, volumetric fog, post‑processing and grading to support story beats.
Cinematics: Sequencer camera paths, smooth fly‑throughs, and hero frames suitable for trailers, cutscenes, or ads.
Optimization: clean asset prep, instancing/LODs, and efficient materials for high‑performance playback.
Where this helps clients
Game studios: immersive level kits and key shots for pitches/vertical slices.
Film/TV & virtual production: ready‑to‑shoot real‑time backgrounds.
Advertising/brand films: cinematic worlds to showcase products or stories.
Archviz/experiential: mood‑driven environments for presentations and events.
Result
A visually rich, adaptable environment that blends technical rigor with cinematic storytelling an approach I can tailor to your product, IP, or campaign.
Tools: Unreal Engine 5, Blender
Cinematic Environment Design: Unreal Engine 5 (Real‑Time)
We built a production‑ready island cove shipwreck, dock, and tropical shoreline, then lit and filmed it in multiple moods (day, dusk, storm). The scene runs in real time in UE5, with modeling/finishing in Blender.
Highlights
World‑building: terrain sculpting, set‑dressing, foliage systems, ocean/water materials, and custom shaders.
Lighting & atmospherics: time‑of‑day variations, volumetric fog, post‑processing and grading to support story beats.
Cinematics: Sequencer camera paths, smooth fly‑throughs, and hero frames suitable for trailers, cutscenes, or ads.
Optimization: clean asset prep, instancing/LODs, and efficient materials for high‑performance playback.
Where this helps clients
Game studios: immersive level kits and key shots for pitches/vertical slices.
Film/TV & virtual production: ready‑to‑shoot real‑time backgrounds.
Advertising/brand films: cinematic worlds to showcase products or stories.
Archviz/experiential: mood‑driven environments for presentations and events.
Result
A visually rich, adaptable environment that blends technical rigor with cinematic storytelling an approach I can tailor to your product, IP, or campaign.
Tools: Unreal Engine 5, Blender
Cinematic Environment Design: Unreal Engine 5 (Real‑Time)
We built a production‑ready island cove shipwreck, dock, and tropical shoreline, then lit and filmed it in multiple moods (day, dusk, storm). The scene runs in real time in UE5, with modeling/finishing in Blender.
Highlights
World‑building: terrain sculpting, set‑dressing, foliage systems, ocean/water materials, and custom shaders.
Lighting & atmospherics: time‑of‑day variations, volumetric fog, post‑processing and grading to support story beats.
Cinematics: Sequencer camera paths, smooth fly‑throughs, and hero frames suitable for trailers, cutscenes, or ads.
Optimization: clean asset prep, instancing/LODs, and efficient materials for high‑performance playback.
Where this helps clients
Game studios: immersive level kits and key shots for pitches/vertical slices.
Film/TV & virtual production: ready‑to‑shoot real‑time backgrounds.
Advertising/brand films: cinematic worlds to showcase products or stories.
Archviz/experiential: mood‑driven environments for presentations and events.
Result
A visually rich, adaptable environment that blends technical rigor with cinematic storytelling an approach I can tailor to your product, IP, or campaign.
Tools: Unreal Engine 5, Blender
Cinematic Environment Design: Unreal Engine 5 (Real‑Time)
We built a production‑ready island cove shipwreck, dock, and tropical shoreline, then lit and filmed it in multiple moods (day, dusk, storm). The scene runs in real time in UE5, with modeling/finishing in Blender.
Highlights
World‑building: terrain sculpting, set‑dressing, foliage systems, ocean/water materials, and custom shaders.
Lighting & atmospherics: time‑of‑day variations, volumetric fog, post‑processing and grading to support story beats.
Cinematics: Sequencer camera paths, smooth fly‑throughs, and hero frames suitable for trailers, cutscenes, or ads.
Optimization: clean asset prep, instancing/LODs, and efficient materials for high‑performance playback.
Where this helps clients
Game studios: immersive level kits and key shots for pitches/vertical slices.
Film/TV & virtual production: ready‑to‑shoot real‑time backgrounds.
Advertising/brand films: cinematic worlds to showcase products or stories.
Archviz/experiential: mood‑driven environments for presentations and events.
Result
A visually rich, adaptable environment that blends technical rigor with cinematic storytelling an approach I can tailor to your product, IP, or campaign.
Tools: Unreal Engine 5, Blender
Cinematic Environment Design: Unreal Engine 5 (Real‑Time)
We built a production‑ready island cove shipwreck, dock, and tropical shoreline, then lit and filmed it in multiple moods (day, dusk, storm). The scene runs in real time in UE5, with modeling/finishing in Blender.
Highlights
World‑building: terrain sculpting, set‑dressing, foliage systems, ocean/water materials, and custom shaders.
Lighting & atmospherics: time‑of‑day variations, volumetric fog, post‑processing and grading to support story beats.
Cinematics: Sequencer camera paths, smooth fly‑throughs, and hero frames suitable for trailers, cutscenes, or ads.
Optimization: clean asset prep, instancing/LODs, and efficient materials for high‑performance playback.
Where this helps clients
Game studios: immersive level kits and key shots for pitches/vertical slices.
Film/TV & virtual production: ready‑to‑shoot real‑time backgrounds.
Advertising/brand films: cinematic worlds to showcase products or stories.
Archviz/experiential: mood‑driven environments for presentations and events.
Result
A visually rich, adaptable environment that blends technical rigor with cinematic storytelling an approach I can tailor to your product, IP, or campaign.
